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Everything in his life is usually a forgery, including his / her family tree

Everything in his life is usually a forgery, including his / her family tree

If there is a fatality in that, there is also the disposition regarding symbolist theatre to expose some supreme secret. Motivation is impelled by this promise of a idea to the mystery, the expected revelation behind typically the door with the hole. Nevertheless the nothing which is not really there suggests only the little that is, and that will the answer is in another place, not-seen, otherworldly—unless the idea turn out to be, as in typically the hermeneutics of Freud, of which anywhere the images lead they will disappear at some punto muerto in the dream's navel, together with thence through the mycelium (the term is Freud's, but you can find mushroom clumps in Strindberg) with it is filamenting nerve edges connected with thought. Which is the actual interpretation, deferred and impelled by multiplicity, as wealthy, perhaps, as the soul-complex. Before the door is at some point opened up, the Officer would like some sort of locksmith, yet alternatively it is the Glazier who transforms up, for the system having its symbols is in addition scopophilic: what is demanded is not a major but the seer, typically the irony being that eyesight is consummated—as in this recovered mystery of Artaud's alchemical theater—in and by its sonorous substance, the particular exposed streaming realization. What we find and how we see it, along with seeing collapsing upon alone, as in a home of mirrors, is basically the substance of of which other Strindbergian crisis, The particular Ghost

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